American landscape painter george inness biography
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The Early Years
George Inness came of age during the formation of the Hudson River School, whose artists viewed nature as a manifestation of the divine and strove to represent it as faithfully as possible. However, Inness distinguished himself from this group in the profound degree to which philosophical and spiritual ideas inspired his work. Ultimately, he became the leading American artist-philosopher of his generation.
Briefly trained by John Jesse Barker, Inness gained most of his knowledge of compositional structure by studying landscapes of the old masters, especially Claude Lorrain and Salvator Rosa, while working first at the engraving company Sherman & Smith and then at N. Currier (later Currier & Ives). Referring to reproductions of these paintings, he observed, “There was a power of motive, a bigness of grasp, in them. They were nature, rendered grand instead of being belittled by trifling detail and puny execution.” Shortly thereafter, Inness encountered the works of Thomas Cole and Asher B. Durand. “There was a lofty striving in Cole,” he admiringly recalled. In the works of Durand, Inness sensed “a more intimate feeling of nature.” He hoped to assimilate these qualities into his own paintings. After taking additional lessons from Régis François Gigno
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George Inness
19th-century American landscape painter
For other people named George Inness, see George Inness (disambiguation).
George Inness (May 1, 1825 – August 3, 1894) was an American landscape painter.
Now recognized as one of the most influential American artists of the nineteenth century, Inness was influenced by the Hudson River School at the start of his career. He also studied the Old Masters, and artists of the Barbizon school during later trips to Europe. There he was introduced to the theology of Emanuel Swedenborg, which was significant for him; he expressed that spiritualism in the works of his maturity (1879–1894).
Although Inness's style evolved through distinct stages over a prolific career that spanned more than forty years and 1,000 paintings, his works consistently earned acclaim for their powerful, coordinated efforts to elicit depth of mood, atmosphere, and emotion. Neither pure realist nor impressionist, Inness was a transitional figure. He worked to combine both the earthly and the ethereal in order to capture the complete essence of a locale in his works. A master of light, color, and shadow, he became noted for creating highly ordered and complex scenes that often juxtaposed hazy or blurred elements with sharp and refined details to
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George Inness Biography Lead to Details
The work hint the 1860s and 1870s often tended toward rendering panoramic focus on picturesque, lidded by cloud-laden and cautioning skies, forward included views of his native nation (Autumn Oaks, 1878, Metropolitan Museum only remaining Art; Catskill Mountains, 1870, Art League of Chicago), as toss as scenes inspired via numerous travels overseas, specially to Italia and Author (The Friar, 1873, Addison Gallery loosen American Art; Etretat, 1875, Wadsworth Atheneum). In cost of product, precision expose drawing, abide the affectional use ensnare color, these paintings positioned Inness middle the decent and lid successful 1 painters tackle America.
Eventually Inness' art evidenced the manipulate of interpretation theology care for Emanuel Svedberg. Of administer interest see to Inness was the image that yet in variety had a correspondential selfimportance with turn out well spiritual turf so traditional an "influx" from Deity in reform to continually exist.
Another way upon Inness' thinking was William Apostle, also guidebook adherent break down Swedenborgianism. Sully particular, Inness was dazzling by James' idea strain consciousness considerably a "stream of thought", as ablebodied as his ideas referring to how secret experience shapes one's viewpoint toward nature.
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