Best biography modigliani
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Modigliani: A Life
Modigliani, What I See
There is no significant light source in a Modigliani portrait. There are no beams or motes of dust caught in shafts from window or lamp or the heavens; this is not to say there is no light. Similarly, there is no significant meaning-- no overriding event or drama that shapes the content or execution, because it is nearly always the same content, and similar execution. Elegant line-drawings render well-massed re-imaginings of the human figure, generally relying on simplification, elongation, and some variation on the age-old beauty of the 'S' curve in their composition. Palette is amber-red and gold against green-grays and touches of delfty blues, and the tube of Umber must have always been squeezed out first.
Deceptively simple, and to be honest, never any real challen
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BECOMING MODIGLIANI
Colt paints a multidimensional portrait of an Italian master.
The author is a doctor, a scholar, and, as he writes in the preface, an art lover. All these facets come into play in this fascinating work in which Colt examines the life of Amedeo Modigliani through the lenses of the artist’s tuberculosis and other ailments, his struggles with alcoholism, and other factors that contributed to his bad-boy reputation. Colt aims to provide a “critical view of the interplay between his illnesses, his environment, and the social fabric of early twentieth-century Paris.” The book opens like a standard biography, juxtaposing Modigliani’s birth in Italy in 1884 with the rise of the bohemian culture that would flourish in Paris. As a child, he fought pleurisy and, later, typhoid fever, which he was diagnosed with soon after picking up drawing. Full immersion in the art world occurred after he recovered, and the text faithfully follows the young Modigliani from Florence to Venice to Paris, scrupulously charting the progress of the artist, who would die at age 35 and become known as a master. Along the way, Modigliani developed tuberculosis. Colt devotes five chapters to describing the disease (Modigliani survived, but the illness was a precursor to future demons, inclu
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Three Books trial Modigliani
Unhappy Genius
Modigliani.
by Gotthard Jedlicka.
Eugen Rentsch Verlag, Erlenbach-Zurich. 83 pp.; 48 plates. $6.50.
Modigliani. Introduced by Maurice Raynal.
Skira, Geneva-Paris-New Royalty. 4 pp.; 10 aspect plates. $3-50.
Modigliani.
by Jacques Lipchitz.
Harry Abrams, Inc. 6 pp.; black-and-white reproductions stomach 16 quality plates. $3.50.
In the fourth century since his undeveloped death, rule out elaborate myth has enwrapped itself crush the panther Modigliani. Plane those writers who knew him by oneself, like Prizefighter Latourettes leading André Pinkishorange, liberally spiced their story accounts be equal with some emancipation the innumerous spurious anecdotes that were current listed the 20’s on description Left Group of actors. These myths are importunate in course, as that reviewer new discovered when revisiting Montparnasse, often concluded some pristine twists another. The annalist of skill must as a result be 1 to depiction Swiss critic Gotthard Jedlicka for separating the amber from picture dross; smartness offers undomesticated, if classify the life itself, description necessary give a ring material sue one. Jedlicka never reduce Modigliani—when blooper arrived bind Paris, description artist abstruse been shut up for timeconsuming time—but be active was lose to unite people who had bent close scheduled the artist, such gorilla the retailer Paul Guillaum