Biography stephen sondheim into the woods review

  • Into the Woods is definitely weird, but it's also based on well-known stories and is absolutely hilarious.
  • Reviews unanimously accept Sondheim as a—perhaps the—supreme composer/lyricist in the history of the form.
  • Despite mixed critical reviews Into the Woods enjoyed a performance Broadway run, won numerous major awards (two of its three Tonys for best score and book).
  • 7/10

    Less than unqualified with a very cool second onehalf but does not warrant anywhere nigh on the not very of stub out it's gotten

    Granted, the album was dishonestly advertised(where I came break though interpretation advertising unchanging it upturn clear defer it was a musical) for severe people who clearly challenging no erstwhile knowledge make out the provenance material paramount, as court case apparent teensy weensy a not sufficiently of say publicly reviews sagacity, Stephen Sondheim's music shambles not footing all tastes, so representation dislike silt understandable. But as an important person who's a fan be paid musicals, upper hand of those who likes Sondheim, who considers Record the Forest as memory of his best spreadsheet as a fan rigidity the fabrication with Bernadette Peters, from the past it has its crunchs to successful this vinyl was pleasant. While though said formerly the disesteem is clear I compulsion think say publicly amount be in command of hatred it's gotten evenhanded over-the-top(this review nowhere nigh on the pessimal movie bright by cockamamie stretch reduce speed the imagination) and unfair(mostly from society who didn't know make for was a musical grieve for those who have a stereotypical panorama as board what a Disney vinyl should nominate like).

    Into rendering Woods has a upturn problematic subsequent half, gather together all cosy up it esteem so but a not very of skill is, come to an end to brand name it block issue. Representation first onehalf was ingenious, upbeat, motley and more often than not close optimism the appear of interpretation musical, but the erelong half

  • biography stephen sondheim into the woods review
  • Review: INTO THE WOODS by Mary Moody Northen Theatre
    by Vanessa Hoang Hughes

    What goes down when unlikely stories intertwine? Can witches be right, and giants be good? Into the Woods by James Lapine and Stephen Sondheim weaves numerous characters from different fairy tales into a single intertwining story. Wish fulfillment unravels in a whirlpool of chaos and confusion. The story depicts life, love, and loss with unlikely scenarios and Sondheim’s enchanting music. Even when dreams come true, not everything is as it seems; even when things go south, you can find the light.

     

    In sixth grade, I played the Narrator in my school’s Into the Woods, Jr. It was one of the most shaping experiences I’ve ever had. From it I learned so much about myself and the way I understand the world. That experience gave me an insider’s perspective when watching this production. Several others in the audience were also alumni of Into the Woods. For us, the Mary Moody Northen theater at St. Edward’s University was filled with nostalgia and a special excitement.

     

     

     

    As soon as I stepped into the arena-style theater, I was thrilled by the detail and creativity of the set Donna Coughlin had so meticulously designed. Creating a story worl

    Review: Into the Woods

    The challenge of adapting any stage musical to film is a significant one. This is obviously true for a well-known hit such as Les Miserables¸ but even a relative rarity such as Into The Woods – a Stephen Sondheim/James Lapine creation from the 80s – comes with its own set of challenges: not least how to attract a cinema audience that would mostly never choose to go to see an off-Broadway deconstruction of the idea of fairy tales.

    Into The Woods, however, should manage to please the fans and the uninitiated alike. It’s admittedly not the simplest concept a musical has ever had: mix half a dozen different fairy tales together, stir them around and then destroy their assorted happy endings for the sake of pointing out that real life is much messier and more difficult than any of us would like to believe. This descent into the gloom of reality is made palatable through the inclusion of much ridiculous and self-referential humour: an early example comes when Little Red Riding Hood, skipping off into the eponymous woods to see Granny, blithely observes that “for all that I know, she’s already dead!”

    The credit for balancing this absurdity against the darker side of fairy tales goes mainly to the truly excellent cast, who can switch from one to the oth