Childrens literature meaning in telugu
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Children’s Literature in Telugu is said to have had a golden period during the decades of 1960s and 1970s when a monthly magazine Chandamama was very popular. It was published in more than ten Indian languages. It had a fairly common structure with two-three serials, a Vikram and Vetal story and other stories dealing with test of honesty, cleverness and spontaneity, finding a successor to the throne or a bride for the son.
Otherwise, the mainstay for children’s books has been stories from Panchatantra, Aesop’s Fables, the epics and mythology. There were stories of Tenali Ramalinga, Akbar-Birbal, Mulla Nasruddin, Paramanandayya’s students from the genre of humour and wit. Stories of kings and villains trying for magical powers were common.
The other major writings for children were poetry and action poems. One of the forms was ‘satakam’—a collection of 100 verses. Each verse was of four lines with the fourth line being common, normally having the name of the writer. Vemana Satakam is one example under this genre. Each verse has a message about what is right and wrong and about human nature, worldly ways, etc. Traditional children’s rhymes whose authors are not known were popular and are in circulation even now.
There are some original prose and poetry writers of that
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Children's Literature
Himaxee Bordoloi1 & Rohini Mokashi2
1Assistant Professor in Darrang College, under Gauhati University, India. ORCID id: 0000-0001-6962-205. Email: sarmahdaisy04@gmail.com
2IIT Guwahati, Assam, India. ORCID id: 000-0001-8381-3469. Email id: rohini@iitg.ac.in
Rupkatha Journal, Vol. 14, Issue 2, April-June, 2022. Pages: 1-10. https://doi.org/10.21659/rupkatha.v14n2.ne23
First published: June 24, 2022 | Area: Northeast India | License: CC BY-NC 4.0
(This article is published under Themed Issue on Literature of Northeast India)
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Abstract
In the wake of the emerging body of scholarship on Posthumanism and Animality studies, the borderline between the human and the ‘non-human’ has been ‘thoroughly breached’. Interestingly, one of the key areas where the boundaries between the human and the animal are problematized is the field of children’s literature. Children’s literature has the potential to radically challenge the anthropocentric worldview of Man as an ‘exceptional’ being by deploying a playful, but subversive logic. The paper attempts to examine how Navakanta Barua deploys nonsense and fantasy in his novella, Siyali Palegoi Ratanpur to challenge this