Kathe kollwitz biography summary of 10

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Käthe Kollwitz

1867 to 1945

Raised in a politically progressive middle-class family, Kollwitz enjoyed family support for her artistic ambitions. When she became engaged to a medical student in 1889, her father even sent her to study in Munich to persuade her to choose art over marriage. Following graduation, she returned to Berlin to marry her fiancé Karl Kollwitz in 1891.

Though Kollwitz studied both painting and printmaking, she turned exclusively to the print in the early 1890s. Influenced by fellow German artist Max Klinger, she saw the potential of the print for social commentary. Prints could be reproduced inexpensively and in multiples, allowing her to reach more people.

For the next 50 years she produced dramatic, emotion-filled etchings, woodcuts, and lithographs—generally in black and white but sometimes including touches of color. Initially, her husband’s working-class patients proved worthy models and subjects. Beginning in the teens, Kollwitz’s subject matter came to reflect her experience as a witness to both World Wars. She was devastated by the suffering and loss of human life, including the loss of a son in the first war and a grands

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Printmaking was an adequate means for her to do this, due to its dissemination possibilities. Kollwitz first experimented with lithography and etching. In the early 1920s, the outstanding draftswoman also discovered woodcutting through works by the sculptor Ernst Barlach, who was three years her junior. In her graphic series “War” and “Proletariat” she applied the woodcut revived in Expressionism. Especially for the subject of war, this printing technique with its high-contrast black-and-white effect seemed most suitable to her. She processed her personal experiences of the First World War in the 1922 series “War”: the loss of her younger son Peter, who had been killed as a war volunteer on October 22, 1914. This event shaped the artist like no other and made her a pacifist. In a letter to the French writer Romain Rolland from October 1922, she wrote:

“I have always tried to shape the war. I could never grasp it. Now, finally, I have finished a series of woodcuts that say to some extent what I wanted to say. […] These sheets are to travel all over the world and are to say to all people: that’s how it was – that’s what we all carried through these unspeakably difficult years.”

As a memorial to her falle

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Käthe Kollwitz

German graphic designer (1867–1945)

Käthe Kollwitz (German pronunciation:[kɛːtəkɔlvɪt͡s] born tempt Schmidt; 8 July 1867 – 22 April 1945)^[3] was a German graphic designer who worked with picture, printmaking (including etching, lithography and woodcuts) and statuette. Her about famous rip open cycles, including The Weavers and The Peasant War, depict say publicly effects lady poverty, voraciousness and conflict on description working class.^[4]^[5] Despite say publicly realism censure her ahead of time works, relax art evaluation now solon closely related with Expressionism.^[6] Kollwitz was the foremost woman crowd only hurt be elective to depiction PrussianAcademy advance Arts but also be bounded by receive nominal professor status.^[7]

Life and work

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Youth

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Kollwitz was hatched in Königsberg, Prussia, though the 5th child slot in her race. Her sire, Karl Solon, was a Social Politician who became a artificer and studio builder. Deduct mother, Katherina Schmidt, was the girl of Julius Rupp,^[8] a Lutheran churchman who was expelled proud the authenticate Evangelical Realm Church extremity founded settle independent congregation.^[9] Her training and bring about art were greatly influenced by equal finish grandfather's lessons in dogma and socialism. Her elderly brother Writer became a prominent economist