Thomas malory biography summary
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Thomas Malory
15th-century Spin writer
"Malory" redirects here. Courier other uses, see Mallory (disambiguation).
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Identity
[edit]Most virtuous what equitable known approach Malory stems from rendering accounts describing him resolve the prayers found pin down the Metropolis Manuscript rule Le Morte d'Arthur. Purify is described as a "knyght pre
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Malory, Thomas
BORN: c. 1410, Newbold Revel, Warwickshire, England
DIED: 1471, London, England
NATIONALITY: English
GENRE: Fiction
MAJOR WORKS:
Le Morte d'Arthur (1485)
Overview
Thomas Malory is recognized as a towering figure of medieval English literature. His masterwork, Le Morte d'Arthur (1485), is the best-known treatment in English of the tales of the exploits and deeds of King Arthur and the knights of the Round Table.
Works in Biographical and Historical Context
Fought in Hundred Years' War Malory's birth date is uncertain, but believed to be just before 1410. He was probably the son of John Malory, esquire, of Newbold Revel. As a young man, Malory served with the Earl of Warwick's forces in France. England had been at war with France since 1337 in what came to be known as the Hundred Years' War (1337–1453). The conflict was over territories controlled by the English in France. At the war's end, England was expelled from the continent except for Calais.
Criminal Activities Malory succeeded to his father's estate in 1433 or 1434. Far from being the sort of man likely to write what William Caxton called a “Noble and Joyous book,” Malory was a ruffian of the most extreme kind. He was indicted for theft in 1443 and served in parliament later
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Sir Thomas Malory (c.1405 – March 14, 1471) was the author or compiler of Le Morte d'Arthur, the first definitive text in English prose relating the tale of King Arthur and the Knights of the Round Table. Le Morte d'Arthur was wildly popular in the decades following its publication, and Malory is generally seen as the primary source for Arthurian legends in the English language. Malory's position in the history of Arthurian literature is a unique one; he did not invent many of the tales that he retells in his masterwork, rather, he borrowed extensively from previous writers who had told versions of the legend, and in particular Malory relied heavily on the French Arthurian poets of the thirteenth century, such as Chrétien de Troyes, and the anonymous author of the Lancelot cycle. Malory, however, did not simply translate the works of previous authors; he re-arranged the structure of the various Arthurian romances, creating a cohesive storyline with a definitive beginning, middle, and end. Moreover, he embellished, revised, and added to the legend as he saw fit, creating a uniquely English version of the tale that remains popular to this day. The Arthurian legend is one of the great works of narrative that reflects on universal themes through the use of symb