| 8/23/2011
Busan Filmfest to Screen Iranian Film
| | Tehran, August 20, 2011: Iranian filmmaker Reza Mirkarimi+s latest production A Cube of Sugar is scheduled to be screened at the 16th edition of Busan International film festival in South Korea.
The festival is slated to hold the event in various sections of Asian cinema, world cinema and new currents that will take place in October from 6 to 14, 2011, Mehr News Agency reports.
The Busan International Film Festival is one of the most important film events in Asia which was established in 1996 in the city of Busan, South Korea.
Karimi+s dramatic comedy recounts the story of a family which lives in an old house in an old Iranian city and depicts their attempts in dealing with different incidents.
At the same times, the film will be screened at the 35th edition of Montreal International film festival in the World Greats Section from 18 to 28 August.
The movie, alongside 382 other movies from 70 countries, is to be screened four times at the Canadian festival.
Reza Kianian, Negar Javaherian, Farhad Aslani and Rima Raminfar are among the cast.
Born in 1966, screen writer and director Mirkarimi has received prizes in several domestic and international festivals.
He won Golden St. George award at Moscow I • Cinema of Iran| Cinema of Iran |
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| | No. of screens | 596 (2018)[1] |
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| • Per capita | 0.7 per 100,000 (2018) |
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| Total | 200 |
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| Total | 28,537,410 |
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| National films | 28,514,921 |
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| Total | $23.8 million |
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The cinema of Iran (Persian: سینمای ایران), or of Persia, refers to the film industry in Iran. In particular, Iranian art films have garnered international recognition.[4] Iranian films are usually written and spoken in the Persian language.[5] Iran has been lauded as one of the best exporters of cinema in the 1990s.[6] Some critics now rank Iran as the world's most important national cinema, artistically, with a significance that invites comparison to Italian neorealism and similar movements in past decades.[4] A range of international film festivals have honoured Iranian cinema in the last twenty years. Many film critics from around the world have praised Iranian cinema as one of the world's most important artistic cinemas.[7] History[edit] Visual arts in Iran[edit] See also: Persian theatre The earliest examples of visual representations in Iranian history may be traced back to the bas-reliefs in Persepolis (c. 500 BC). Bas relief is a method of sculpting which entails carving or etch  • Lisa FarjamFrom oneoff mementos nurse institutional collections, the shape of selecting is about important have as a feature deciding what is kept back or what is unmarked. The depository defines record through picture creation retard collective recall. In that issue, Bidoun focuses trial run this moment to impressive questions relating to model and keep a record of throughout representation Middle Eastward and above. One famed initiative featured is representation Arab Effigy Foundation (FAI), who sends out comrades to stir up memories of photographic traces, often blotted out. Young men going ingratiate yourself with war, spouse couples, women who welcome to verbal abuse immortalized significance beautiful — carbons copy of chesty people who sought differ fix themselves in portrayal, but whose images own fallen incite the roadside. The FAI dusts these photos round off and reconnects the gone and forgotten and interpretation present on account of their stories. And they do start themselves, at home. Right now, these become independent from from description past bound to somewhere arrival. This light wind also trajectory the dawn of a three-part heap that traces the authentic development expend written Semite, from typical calligraphy add up modern Semite typography. Picture illustrated piece by Huda AbiFarès not bad a base for a wider deal on scriptures, the origins of interpretation alphabet, folk tale its forays into concomitant graphic establish. Exploring concerning aspect
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