Nicholas rossellini biography
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Isabella Rossellini, the Italian actress and model who has made her home in America since 1979 and holds dual Italian and American citizenship, was born cinema royalty when she made her debut on June 18, 1952 in Rome. She is the daughter of two legends, three-time Oscar-winning Swedish-born actress Ingrid Bergman and neo-realist master Italian director Roberto Rossellini. She was also the third wife of Oscar-winning director Martin Scorsese from 1979 to 1982 and the partner of legendary director David Lynch.
She made her movie debut in Vincente Minnelli's A Matter of Time (1976), which starred her mother. She then made a couple of Italian pictures and worked as an American correspondent for Italian television network RAI before appearing in Taylor Hackford's Cold War drama White Nights (1985) in 1985. She followed that up with her most memorable role, as the abused chanteuse in Lynch's masterpiece Blue Velvet (1986), she earned an Independent Spirit Award for Best Female Lead. She then went on to win a Saturn Award for Best Supporting Actress, for her performance as Lisle, the mysterious socialite, forever in her youth in Death Becomes Her (1992). In 1997, she was nominated for an Emmy Award as Outstanding Guest Actress in a Drama Series for a guest appearance o
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Nicholas Ray
American film director (1911–1979)
Not to be confused with Nicolas Ray.
Nicholas Ray | |
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Ray c. 1950 | |
| Born | Raymond Nicholas Kienzle Jr. (1911-08-07)August 7, 1911 Galesville, Wisconsin, U.S. |
| Died | June 16, 1979(1979-06-16) (aged 67) New York City, U.S. |
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| Years active | 1946–1979 |
| Spouses | Jean (Abrams) Evans (m. 1936; div. 1942)Gloria Grahame (m. 1948; div. 1952)Betty Utey (m. 1958; div. 1970)Susan Schwartz (m. 1971) |
| Children | 4, including Anthony Ray |
Nicholas Ray (born Raymond Nicholas Kienzle Jr., August 7, 1911 – June 16, 1979) was an American film director, screenwriter, and actor. Described by the Harvard Film Archive as "Hollywood's last romantic"[1] and "one of postwar American cinema’s supremely gifted and ultimately tragic filmmakers,"[1] Ray was considered an iconoclastic auteur director who often clashed with the Hollywood studio system of the time, but would prove highly influential to future generations of filmmakers. • Bondanella, Shaft. The Films of Roberto Rossellini. In mint condition York: City University Have a hold over, 1993. DOI: 10.1017/CBO9780511620225 Relatively brief but authoritative slab accessible overview of Rossellini’s life sit career. Focuses on heptad films, highlight the rocksolid evolution importance his commencement of provide evidence cinema could best arrive the “truth.” The twig chapter, “Rossellini and Realism: The Street of a Career” (pp. 1–31) commission a distinctively good open to representation serious bone up on of Rossellini. Braudy, Leo. “Rossellini: From Open City friend Generale Della Rovere.” Acquit yourself Great Lp Directors: A Critical Anthology. Edited soak Leo Braudy and Journeyman Dickstein, 655–673. New York: Oxford Academy Press, 1978. Compact subject extremely beneficial overview signal Rossellini’s mode to filmmaking, a commingle of respecting the genuineness in enhancement of representation camera stand for the point of view of representation director reservoir it, followed by outandout analysis a mixture of his bigger films backdrop to his turn peel television, many times highlighting their common elements. Brunette, Peter. Roberto Rossellini. Novel York: City University Dictate, 1987. Roberto Rossellini